JIMINI HIGNETT \u2013 CV \u2013 SELECTION\t\t\t\t<\/p>\n
2019<\/p>\n
Artist in residence, researching Human Trafficking, Immigration and the Bijlmer, at BijlmAIR, CBK-Zuidoost, Amsterdam (ongoing)<\/p>\n
‘Number One Tourist Attraction!’ solo installation in the Amsterdam Museum (upcoming)<\/p>\n
2018<\/p>\n
Lecture performance \u2018Business As Usual\u2019, Amsterdam University, Amnesty International group<\/p>\n
Research project on Prostitution and (in)Justice in Senegal, ‘Collapse of Justice’ in Dakar and Diourbel, Senegal<\/p>\n
‘Handle With Care’ (with Patricia Kaersenhout), installation, discussions and debates on human trafficking, in various cities in Albania, Macedonia & Kosovo \u2013 commissioned by the Dutch embassies <\/p>\n
Production of eight new videos for ‘The Prostitution Monologues’<\/p>\n
2017 <\/p>\n
Research, preparatory work and try-outs of (parts of) ‘The Prostitution Monologues’<\/p>\n
Lecture-performances of Todo Sigue Igual in Buenos Aires at Museo de la Mujer, Ex CCDTyE Olimpo (Educacion Populair series), & Florencia Varela, and in Amsterdam<\/p>\n
Participate with Huisvesting Weerspigelt Succes in group exhibition Huisvesting Weerspiegelt Succes at Witte Rook, Breda <\/p>\n
2016 <\/p>\n
Todo Sigue Igual \u2013 Solo exhibition at Museo de la Mujer, Buenos Aires, Argentina \u2013 using video, photos, texts, and sculpture to thread through the haze of subtle propaganda concerning prostitution that permeates our day-to-day lives. Subject of an in-depth review in Pagina-12 newspaper, and the subject of several national radio broadcasts<\/p>\n
Participate with photos in group exhibition, MuseumLab Framing Prostitution in the Amsterdam Museum <\/p>\n
2015 <\/p>\n
Handle With Care \u2013 Dakar (with Patricia Kaersenhout) artists in residence invited by Dutch ambassador – exhibition, installation, about women\u2019s rights, trafficking and immigration<\/p>\n
BK-blad publishes my article about residency in Dakar <\/p>\n
Residency at Care-Of, Milan resulting in installation Mappa Sensoriale de Milano (collaboration with Doris Denekamp), at Care-Of, Milan, (initially produced as part of The Grand Domestic Revolution Goes On in Milan), plus performative, honey-tasting event <\/p>\n
2014 <\/p>\n
If Bees Are Few\u2026 Commission, design of Non-Urban Garden for Gardens of the 21st century at Kunstvereniging Diepenheim (collaboration with Doris Denekamp). A critical reflection on the causes underlying the decline of bee populations in recent years.
\nA sculpture in the rural landscape and a book in collaboration with designer Anna Haas.<\/p>\n
2013 <\/p>\n
Mulier Sacer project dealing with the issue of prostitution, includes publication & performance lectures. In collaboration with victims of human trafficking. Publication supported by Amsterdamse Fonds voor de Kunsten, reviewed in various academic journals. <\/p>\n
Ver van Mjin Bed video installation in Handle With Care duo-exhibition with Patricia Kaersenhout for \u2018Emancipatie Zwart & Wit\u2019, exhibition in Amsterdams Tropenmusem reflecting on 150 years abolition of slavery in the Netherlands. Forced prostitution as contemporary slavery. <\/p>\n
2012 <\/p>\n
\u2018Just what is it that makes today\u2019s revolution so different, so appealing?\u2019 Performance Lecture at the Rietveld Academy was both a beginners\u2019 guide to the Occupy movement as well as a personal, sometimes critical, account of events at Amsterdam\u2019s Occupy Beursplein \u2013 Slowness, Solidarity, Vulnerability<\/p>\n
Bella live broadcast via Skype for Lado Darakhvelidze\u2019s Museum TV Station at SMART Project Space Amsterdam \u2013 on Occupy at the 7th Berlin Biennial <\/p>\n
Occupy Chain (Collaboration, Artists in Occupy Amsterdam) as part of Artur Zmjewski\u2019s 7th Berlin Biennial<\/p>\n
Occupy and the Politics of the Commons \u2013 discussion presentation with Elke Uitentuis and Michael Hardt, at Social Centre De Valreep, Amsterdam <\/p>\n
2011 <\/p>\n
Keynote Lecture-performance, Special Attention at the 3-day International conference \u2018Practicing Theory\u2019, \u2018Imagining, Resisting & Remembering\u2019, Amsterdam School for Cultural Analysis<\/p>\n
Revolutionary Karaoke, for Occupy Beursplein in Amsterdam \u2013 emphasising solidarity both between different struggles emanating from different communities and countries & connecting today\u2019s struggles with those of the past<\/p>\n
Lecture-performance, How To Go On\u2026 at the International conference \u2018The Spirit Level\u2019, Dept. Intercultural Communication, Hogeschool InHolland, Amsterdam <\/p>\n
Work with Chto Delat on \u2018Museum Songspiel \u2013 The Netherlands 20XX\u2019 \u2013 d\u00e9cor, costumes, casting, dialogue etc etc \u2013 SMART Project Space, Amsterdam & the Van Abbe Museum, Eindhoven<\/p>\n
2010 <\/p>\n
The Detroit Diary \u2013 publication, paperback book (DAI) \u2013 wins Best Swiss Book Award (designer Anna Haas is Swiss)<\/p>\n
Performance lecture of Bella \u2013 (poverty and class in Birkenhead, Merseyside) for Lado Darakhvelidze\u2019s Museum TV Station at PS2 in Belfast for MTVS in Belfast <\/p>\n
Temporary Art Souvenirs collaborative project (DAI), parallel-event at Manifesta-8 in Murcia & Cartagena, Spain <\/p>\n
Special Attention performance lecture and installation in POST-DORT 2010, exhibition Masters graduates NL, Centre for Contemporary Art CBK Dordrecht, NL<\/p>\n
OPEN nr.19, \u2018Beyond Privacy\u2019 publication of photos from \u2018Special Attention\u2019 project with article by Rob van Kranenburg<\/p>\n
2009 <\/p>\n
Volume Magazine, Speramus Meliora text & photos about my work in Detroit <\/p>\n
Winner design competition for a Mobile Art Space in \u2018Spirited Caravans: re-imagining Bangalore\u2019s outdoors\u2019 at Protospace, Bangalore, India<\/p>\n
Speramus Meliora \u2013 work in public space, Detroit, & lecture presentation \u2018The Authentic Detroit Experience\u2019, MOCAD Museum of Contemporary Art, Detroit, (DAI)<\/p>\n
2008 <\/p>\n
Participate with Gift for Dr. Matlock and Suit for a Skeleton in group exhibition Knitted Worlds, Textile Museum Tilburg, NL, with Elaine Reichek, Rosemarie Trockel, Maria Roosen a.o. <\/p>\n
Arnhem Fashion Biennial, \u2018La Maison de Poupee\u2019, with Ceramic Roadkill<\/p>\n
How To Go On making art when everything is all fucked up \u2013 book <\/p>\n
Survival Strategies nr.1 \u2013 performance \u2013 De Kop, Breda, NL (PostStJoost) <\/p>\n
PRIZES<\/p>\n
2010 The Detroit Diary \u2013 publication, paperback book (DAI) \u2013 wins Best Swiss Book Award (designer Anna Haas is Swiss)<\/p>\n
1990 First prize for best scenario The Portrait of Natasha at International Documentary Festival in Amsterdam, fl 250,000 COBO-fonds<\/p>\n
SUBSIDIES
\n2014 Investeringssubsidie from Tijlfonds\/Prins Berhardfonds
\n2013 Amsterdamse Fonds voor de Kunsten for \u2018Ver van Mijn Bed\u2019 in Tropenmuseum
\n2012 Amsterdamse Fonds voor de Kunsten for publication \u2018Mulier Sacer\u2019
\n2010 Stichting Stokroos funding towards publication The Detroit Diary
\n2007-08\/2008-09\/2009-10 Neeltje Buis Opleidings Fonds, Henriette Beck Fonds, Max Cohen Fonds, Christine Stichting (grants towards MFA study)
\n1993-4 bursary from the Dutch Film Fund to co-write \u2018The Beholder\u2019, mockcumentary
\n1993 bursary from the NCO (governmental commission for co-operation with developing countries) to write a creative documentary situated in Cuba
\n1991 Stimuleringsfonds Nederlandse Culturele Omroepproducties 250.000,- guldens for production of documentary The Portrait of Natasha, IDFA scenario prize winner<\/p>\n
EDUCATION
\nSept. 2008 \u2013 July 2010 : Dutch Art Institute (DAI) ArtEZ Master of Fine Art
\nSept. 2007 \u2013 July 2008 : Post St.Joost<\/p>\n","protected":false},"excerpt":{"rendered":"
JIMINI HIGNETT \u2013 CV \u2013 SELECTION 2019 Artist in residence, researching Human Trafficking, Immigration and the Bijlmer, at BijlmAIR, CBK-Zuidoost, Amsterdam (ongoing) ‘Number One Tourist Attraction!’ solo installation in the Amsterdam Museum (upcoming) 2018 Lecture performance \u2018Business As Usual\u2019, Amsterdam University, Amnesty International group Research project on Prostitution and (in)Justice in Senegal, ‘Collapse of Justice’ […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-190","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/pages\/190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/comments?post=190"}],"version-history":[{"count":34,"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/pages\/190\/revisions"}],"predecessor-version":[{"id":2467,"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/pages\/190\/revisions\/2467"}],"wp:attachment":[{"href":"https:\/\/howtogoon.com\/index.php\/wp-json\/wp\/v2\/media?parent=190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}